Over their 20-odd year discography, Joan of Arcís astute, endlessly probing musical experimentation has been chorused by a barrage of voices, mostly from the singular larynx of mainstay Tim Kinsella. Richard Brautigan, Mark Twain, Elizabeth Taylor, and Assata Shakur might visit his lyrics, but itís the band itself that contains multitudes. Ever since Joan of Arc's most recent lineupó Kinsella, Theo Katsaounis, Melina Ausikaitis, Bobby Burg, and Jeremy Boyleóbegan playing shows together in 2015, fans have witnessed an even more radical democracy at work. Live, old jams and new tracks have often melted and mutated, members jumping from instrument to instrument in between or in the middle of songs, all stasis discarded. And now, a series of nearly a cappella performances from Kinsellaís fellow vocalist Melina Ausikaitis, debuted live by Joan of Arc over the last several years, has become the backbone of their new LP, 1984. Thoroughly of the bandís lineage, Ausikaitisí lyrics are equally measured with wit, despair and stubborn perseverance. Like the albumís striking hand drawn cover art, the music inside is often spare; anthemic highs ring from elegiac lows and back again. At times, Ausikaitis sings in an earnestly tangy and lovely flat twang redolent of the midwest, before screwing her voice up into a fearsome roar. Sometimes her voice is electronically distorted, like bells in the sky, into ringing eternity. Remarkably, so much of the cluttered sound of earlier Joan of Arc LPs has largely fallen away on 1984, as has Kinsellaís voice. At first itís genuinely shocking. But the songs here are a revelation, as profound and plainspoken as parables.

Over their 20-odd year discography, Joan of Arcís astute, endlessly probing musical experimentation has been chorused by a barrage of voices, mostly from the singular larynx of mainstay Tim Kinsella. Richard Brautigan, Mark Twain, Elizabeth Taylor, and Assata Shakur might visit his lyrics, but itís the band itself that contains multitudes. Ever since Joan of Arc's most recent lineupó Kinsella, Theo Katsaounis, Melina Ausikaitis, Bobby Burg, and Jeremy Boyleóbegan playing shows together in 2015, fans have witnessed an even more radical democracy at work. Live, old jams and new tracks have often melted and mutated, members jumping from instrument to instrument in between or in the middle of songs, all stasis discarded. And now, a series of nearly a cappella performances from Kinsellaís fellow vocalist Melina Ausikaitis, debuted live by Joan of Arc over the last several years, has become the backbone of their new LP, 1984. Thoroughly of the bandís lineage, Ausikaitisí lyrics are equally measured with wit, despair and stubborn perseverance. Like the albumís striking hand drawn cover art, the music inside is often spare; anthemic highs ring from elegiac lows and back again. At times, Ausikaitis sings in an earnestly tangy and lovely flat twang redolent of the midwest, before screwing her voice up into a fearsome roar. Sometimes her voice is electronically distorted, like bells in the sky, into ringing eternity. Remarkably, so much of the cluttered sound of earlier Joan of Arc LPs has largely fallen away on 1984, as has Kinsellaís voice. At first itís genuinely shocking. But the songs here are a revelation, as profound and plainspoken as parables.

714270692413
1984 [LP]
Artist: Joan Of Arc
Format: Vinyl
New: In Stock - Orders filled within 2-3 business days 23.98
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Over their 20-odd year discography, Joan of Arcís astute, endlessly probing musical experimentation has been chorused by a barrage of voices, mostly from the singular larynx of mainstay Tim Kinsella. Richard Brautigan, Mark Twain, Elizabeth Taylor, and Assata Shakur might visit his lyrics, but itís the band itself that contains multitudes. Ever since Joan of Arc's most recent lineupó Kinsella, Theo Katsaounis, Melina Ausikaitis, Bobby Burg, and Jeremy Boyleóbegan playing shows together in 2015, fans have witnessed an even more radical democracy at work. Live, old jams and new tracks have often melted and mutated, members jumping from instrument to instrument in between or in the middle of songs, all stasis discarded. And now, a series of nearly a cappella performances from Kinsellaís fellow vocalist Melina Ausikaitis, debuted live by Joan of Arc over the last several years, has become the backbone of their new LP, 1984. Thoroughly of the bandís lineage, Ausikaitisí lyrics are equally measured with wit, despair and stubborn perseverance. Like the albumís striking hand drawn cover art, the music inside is often spare; anthemic highs ring from elegiac lows and back again. At times, Ausikaitis sings in an earnestly tangy and lovely flat twang redolent of the midwest, before screwing her voice up into a fearsome roar. Sometimes her voice is electronically distorted, like bells in the sky, into ringing eternity. Remarkably, so much of the cluttered sound of earlier Joan of Arc LPs has largely fallen away on 1984, as has Kinsellaís voice. At first itís genuinely shocking. But the songs here are a revelation, as profound and plainspoken as parables.