The Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of it's release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to from Her to Eternity, but Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing. This said, the softly crooning group vocals and sweet strings on the opening "Foi Na Cruz" certainly would catch some off guard. The title track itself captured the overall mood of the album, a retelling of the Bible's prodigal son story from the other son, the one who stayed at home and did what he was meant to do. The elegant, reflective "Lucy" and the staccato then sweeping "Lament" are two further high points, but the flat-out winners come dead center. "The Weeping Song," a magnificent duet between Cave and Bargeld, starts out sounding a bit like Gene Pitney's "Something's Gotta Hold of My Heart," which the Seeds covered on Pricks, before shading into it's own powerful, blasted drama. "The Ship Song," meanwhile, equals if not overtakes the Scott Walker ballads Cave so clearly is inspired by, a soaring, tearjerking declaration of intense love that's simply amazing.
The Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of it's release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to from Her to Eternity, but Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing. This said, the softly crooning group vocals and sweet strings on the opening "Foi Na Cruz" certainly would catch some off guard. The title track itself captured the overall mood of the album, a retelling of the Bible's prodigal son story from the other son, the one who stayed at home and did what he was meant to do. The elegant, reflective "Lucy" and the staccato then sweeping "Lament" are two further high points, but the flat-out winners come dead center. "The Weeping Song," a magnificent duet between Cave and Bargeld, starts out sounding a bit like Gene Pitney's "Something's Gotta Hold of My Heart," which the Seeds covered on Pricks, before shading into it's own powerful, blasted drama. "The Ship Song," meanwhile, equals if not overtakes the Scott Walker ballads Cave so clearly is inspired by, a soaring, tearjerking declaration of intense love that's simply amazing.
5414939710612

Details

Format: Vinyl
Label: IMPORTS
Rel. Date: 03/17/2015
UPC: 5414939710612

Good Son (Uk)
Artist: Nick Cave
Format: Vinyl
New: Out of Stock
Wish

Available Formats and Editions

DISC: 1

1. Foi Na Cruz
2. the Good Son
3. Sorrow's Child
4. the Weeping Song
5. the Ship Song
6. the Hammer Song
7. Lament
8. the Witness Song
9. Lucy
10. Do You Love Me Like I Love You (Part 6: The Good Son)
11. the Weeping Song
12. Sorrow's Child
13. Do You Love Me Like I Love You (Part 6: The Good Son)
14. the Weeping Song
15. the Ship Song
16. Lament
17. the Witness Song
18. Lucy
19. the Train Song
20. Cocks 'N' Asses
21. Helpless
22. Foi Na Cruz
23. the Good Son
24. Sorrow's Child
25. the Weeping Song
26. the Ship Song
27. the Hammer Song
28. Lament
29. the Witness Song
30. Lucy
31. the Train Song
32. Cocks 'N' Asses
33. Helpless

More Info:

The Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of it's release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to from Her to Eternity, but Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing. This said, the softly crooning group vocals and sweet strings on the opening "Foi Na Cruz" certainly would catch some off guard. The title track itself captured the overall mood of the album, a retelling of the Bible's prodigal son story from the other son, the one who stayed at home and did what he was meant to do. The elegant, reflective "Lucy" and the staccato then sweeping "Lament" are two further high points, but the flat-out winners come dead center. "The Weeping Song," a magnificent duet between Cave and Bargeld, starts out sounding a bit like Gene Pitney's "Something's Gotta Hold of My Heart," which the Seeds covered on Pricks, before shading into it's own powerful, blasted drama. "The Ship Song," meanwhile, equals if not overtakes the Scott Walker ballads Cave so clearly is inspired by, a soaring, tearjerking declaration of intense love that's simply amazing.