Indie Exclusive Releases

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Peter Manos

Do You Turn Red? is both a guidepost pointing toward what may come — such rich mood and color practically begs for transmedia worldbuilding — and a snapshot of this moment. Peter Manos is at the front of his career, full of ideas, and all of them tangibly intimate. Despite joining Capitol in 2019 and relocating from Dallas to the heart of LA, Manos still makes music in a vacuum of sorts. He works almost exclusively solo out of his apartment, in a bedroom turned recording den.

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Jaime Wyatt
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If there’s one lesson to be gleaned from Jamie Wyatts latest album, Neon Cross, it’s that life goes on. And through it all—good times and bad, dreaming and desperation, there is truth. When it came to capturing that truth on tape, Wyatt had some assistance from Shooter Jennings, who produced Neon Cross. Together, she and Jennings boldly color outside the country lines, taking a wide-lens sonic and stylistic approach to the songs on Neon Cross.

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Norah Jones
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Norah Jones’ seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past 2 years as the songs she hadn’t yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

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Sammy Brue

“Music has just been a part of my life since I was very young—it's been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it's going to take me…”

 

Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West full-length debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.

 

But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.

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Jehnny Beth

Best known as the charismatic lead singer and co-writer of UK band Savages, who received Mercury Prize nominations for both of their now-classic two albums Silence Yourself (2013) and Adore Life (2016), Jehnny Beth's voice, lyrical perspective, and incredible live performances have captivated audiences since the early Aughts. But it's in To Love Is To Live that Jehnny Beth truly steps into - and claims - the spotlight. The album is a sonic tour de force, a dark cinematic meditation on the strange business of being alive. Throughout the record, she explores the deepest reaches of her creative consciousness... wrapped in a whirlwind of sounds. Indeed, in accessing those darkest and least comfortable parts of herself, Jehnny Beth has created a piece of work that is stunningly cathartic, fiercely abrasive, delicately exposed, and rich for discourse.

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Liam Gallagher
Recorded in Hull, UK in August of last year, MTV Unplugged showcases Liam Gallagher’s solo career highlights alongside Oasis classics in new arrangements featuring backing choir, a string section and more. The MTV special aired globally in September in celebration of the release of his second solo album WHY ME? WHY NOT and includes the solo hits “Wall of Glass” and “One of Us” as well as Oasis’ global smash single “Champagne Supernova”.
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John Craigie

Renowned for his eloquent Americana style, engaging live shows, and off-the-cuff clever observations, John Craigie carries on the legacy of classic singer-songwriters, while blazing a trail of his own. 'Asterisk the Universe' is the forthcoming 7th studio album from Craigie and his first through Thirty Tigers.

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Sonic Boom

It's auspicious that Sonic Boom'the solo project and nom-deproducer of Peter Kember (Spectrum, Spacemen 3)'returns in 2020 with it's first new LP in three decades. Kember's drawn to the year's numerological potency, and this intentionality shines into every corner of All Things Being Equal. It's a meditative, mathematical record concerned with the interconnectedness of memory, space, consumerism, consciousness'everything. Through regenerative stories told backwards and forwards, Kember explores dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives. Sonic Boom's second album and first for Carpark began in 2015 as electronic jams. The original sketches of electronic patterns, sequenced out of modular synths, were so appealing that Stereolab's Tim Gane encouraged Kember to release them instrumentally. 'I nearly did,' confesses Kember, 'but the vibe in them was so strong that I couldn't resist trying to ice the cake.' Three years later, a move to Portugal saw him dusting off the backing tracks, adding vocals inspired by Sam Cooke, The Sandpipers, and the Everly Brothers (which he admits 'don't go far from the turntable pile'), as well as speculative, ominous spoken word segments

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The Ghost Inside
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Limited colored vinyl LP pressing. 2020 release. The Ghost Inside is a Los Angeles-based hardcore band. They began as a group of friends in El Segundo, CA united by their shared passion for bands in the hardcore scene. The group stands for authenticity, dedication, perseverance and the most literal adherence to the core values behind their craft. Sonically, the group places equal emphasis on deeply personal vocals, urgent riffing and pile-driving breakdowns within the framework of their heavily melodic modern hardcore.

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Hinds

Each time they take the stage, Madrid-bred rock band Hinds create a kind of wild magic, a feel-good free-for-all often complete with synchronized dancing and giddy crowd-surfing from the members themselves. While the band s first two albums channeled the euphoric energy of their live show in their gorgeously punchy take on garage-rock, their latest full-length adds entirely new texture to their sound. Produced by Jenn Decilveo (The Wombats, Ben Platt and Anne-Marie), The Prettiest Curse finds the band letting their imaginations run more freely than ever, even as they share some of their most emotionally heavy material to date. The Prettiest Curse takes its title from the sometimes-daunting experience of giving your soul to rock-and-roll. In the making of The Prettiest Curse, Hinds devised a brilliantly unpredictable vocabulary for communicating their most painful feelings. Unfolding in frenetic guitar riffs and buzzing basslines, powerful drumming and delicate piano work, the album endlessly delivers massively catchy melodies and vocals that growl and sigh with equal ferocity. The effect of all that unrestrained expression is fantastically dizzying, made even more so by Hinds constant back-and-forth between their native tongue and English.

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Damien Jurado

Vinyl LP pressing. 2020 release from the Seattle-based indie-folk veteran. What's New, Tomboy? is his third album in three years, following 2018's Secretly Canadian swan song The Horizon Just Laughed and 2019's Mama Bird debut In The Shape Of A Storm.

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Covet

Covet the Bay Area trio return with the new full length technicolor. The record effortlessly blends instrumental math-rock with elements of post-rock and post-metal, juxtaposing delicate melodies with propulsive rhythms and for the first time feature Yvette Young singing on several tracks. Since the release of their Triple Crown Records debut effloresce in 2018 covet has toured throughout the world supporting numerous artists including Dance Gavin Dance, Polyphia, Periphery, Don Broco to name a few as well as their first US headline tour in the summer of 2019. The band once again recorded with producer Mike Watts (The Dear Hunter, Glassjaw, Hail The Sun)

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Christian Lee Hutson
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The buzz around CHRISTIAN LEE HUTSON started in earnest in 2018 after he began his collaborative friendship with singer Phoebe Bridgers. Hutson co-wrote songs with Bridgers for both the EP of supergroup boygenius (ft. Julien Baker, Phoebe Bridgers, and Lucy Dacus) and her 2019 release with Conor Oberst, Better Oblivion Community Center. The emerging folk artist received further critical attention after Bridgers invited him to Eaux Claires Festival last July, where he performed a solo set and earned praise from festival host Bon Iver. Eventually, Bridgers asked if she could produce an album for him. Engineered and mixed by Joseph Lorge (Blake Mills, Perfume Genius), the forthcoming release also features contributions from Bright Eyes pianist Nathaniel Walcott. To merely call Christian Lee Hutson an old soul would be to deny the vibrancy of his sound. Hutson writes songs that the SF Bay Guardian describes as, "... Foreboding, bluesy love ballads laden with longing nostalgia." Hutson is an avid touring artist and his touring will take him to Austin this Spring for SXSW. For Fans of Phoebe Bridgers, Elliott Smith and Bright Eyes.

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Avi Kaplan

Produced by Mike Mogis (Bright Eyes, Conor Oberst, First Aid Kit) I’ll Get By, Avi Kaplan’s new 7-track EP firmly establishes the renowned bass vocalist as a generational songwriting talent in the mold of inspirations such as Fleet Foxes, Hozier and Iron and Wine. I’ll Get By is an absorbing introduction to an artist with a timeless voice, an independent spirit and a limitless future. Indie exclusive LP pressed on black ice-colored vinyl.

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Steve Earle & The Dukes

Ghosts of West Virginia centers on the Upper Big Branch coal mine explosion that killed twenty-nine men in that state in 2010, making it one of the worst mining disasters in American history. In ten deftly drawn sonic portraits, Earle and his band the Dukes explore the historical role of coal in rural communities. More than merely a question of jobs and income, mining has provided a sense of unity and meaning, patriotic pride and purpose.

Steve Earle & The Dukes
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TALsounds

Acquiesce, Natalie Chami's newest album as TALsounds, was recorded at home as improvised sessions; the album a fluid extrapolation of her thoughts, worries, and stresses, that were later trimmed down and reformatted into songs. Over the years, she's honed her skills onstage, particularly her ability to block out what's happening around her to instead focus on her subconscious, letting it guide where she steers each song. Performed entirely by Chami and produced by Cooper Crain (Bitchin' Bajas, Cave), the album is full of entrancing moments, be it the trumpet-like call in 'Muted Decision,' the typewriter beat of 'Instance,' the flickering vocals in 'Else,' or the alien-like glitching of 'Dynasty.' TALsounds has made a name for herself within Chicago's DIY electronic scene for her innate sense of feeling, flow, and fascination. With Acquiesce, she demonstrates not just how hypnotic her music is or how stirring her vocal range is, but how these two combine naturally for her as an improvisational artist ' and she's poised to break out nationally because of that.

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Nnamdi

During the past decade, the Chicago-based multi- instrumentalist and producer, NNAMDI¨, has quietly become one of the most prolific musicians of the modern era. Whether under his own name or one of the many bands he’s spent time in, either as a full-on member or merely a touring partner, there’s been an endless stream of music that NNAMDI¨ has had his hands in. Pair that with the fact he co-owns his label, Sooper Records (KAINA, Sen Morimoto), and it’d be easy to wonder how he finds time to do anything other than make music.

On BRAT, the follow-up to 2017’s critically acclaimed DROOL, NNAMDI¨ removes the veil to show just how much effort and energy it takes to work at such a high level without any breaks. That process of finding a balance between NNAMDI¨ the performer and Nnamdi Ogbonnaya the person is what fuels BRAT, an introspective record that’s still as dexterous and exciting as anything that’s come before, but is intimate and hushed, commanding a listener’s full attention from the very start.

Like all things he’s done before, BRAT proves that genre classifications don’t really work here. BRAT is part hip-hop, part indie-rock, part gospel, and part West African music, and in NNAMDI¨’s hands, these seemingly disparate pieces fit together snuggly, as if there was never a question of their compatibility. NNAMDI¨ wrote, performed, and recorded BRAT by himself. 

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Blut Aus Nord

Pressed on tri-colour heavy vinyl (blue, purple and milky color) with splatters and laser engraved etching on side D

Hallucinogen begins a new era for BLUT AUS NORD, ending the cycle of clandestine industrialized dissonance that culminated with previous transmission Deus Salutis Meae and moving skyward into freshly melodic territories of progressive clarity. Interweaving dreamlike choirs, inimitable harmonic developments, reflective clean guitars, palpable organic drumming and a welcome rock and roll swagger, Hallucinogen is a spacious, emotionally wide-ranging record that finds BLUT AUS NORD more open than ever, full of life and reveling in the element of surprise. Hallucinogen is yet another coherent universe from a band who have moved away from familiar tropes, aesthetics and comfort zones to unite - with Dionysian spirit - under/overland, surface/void, metropolis/mountain and the vastness of the mind s eye into an indispensable addition to their unparalleled body of work.

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Ruston Kelly

This Indie exclusive LP of Ruston Kelly's Dirt Emo vol. 1 is pressed on opaque baby pink-colored vinyl and features a numbered poster inside. To quote Ruston: "I don't play country, this stuff is dirt emo it's like crying in a barn or anguishing in your room with a banjo." The project includes acclaimed renditions of Taylor Swift's "All Too Well" and the Carter Family's "Weeping Willow," showing the full spectrum of material, solidifying Ruston as the Father of Dirt Emo.

Ruston Kelly
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Jess Williamson

Offering a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music and breezy West Coast psychedelia, Jess Williamson’s ‘Sorceress’ weaves a woman’s wild love letters to a confusing present and uncertain future—with reflections on femininity and the pursuit of perfection, New Age beliefs and practices, critiques of capitalism and social media and more. An album about loss of innocence and acquired wisdom that’s self-critical, self-assured and soul-searching.

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Gerry Cinnamon
Scottish singer-songwriter GERRY CINNAMON is a superstar stadium headliner and cult hero in the UK, whose live shows have become legendary, joyous mass fan singalongs inspiring devotion and a dedicated following that has swelled via word of mouth to epic proportions. He has taken homegrown Glasgow tales and shared them with the world to rapturous applause. Gerry’s explosive talent is on full display on his fiery sophomore album The Bonny that will be released on April 17th via his own label Little Runaway Records. 
Gerry Cinnamon was born in the tough Castlemilk neighborhood of Glasgow, where all he had and all he ever wanted to do was music. Influenced by luminaries like Johnny Cash, Bob Dylan, and John Prine, The Bonny boasts twelve anthemic tracks laced with social commentary, personal stories and propulsive poetry. As a lyricist, he has a flair for being able to express universal emotions in a manner that’s raw, real and relatable. Armed only with an acoustic guitar, pounding kick drums and loop pedal harmonies, Gerry crafted a huge sound on The Bonny that he wrote, produced and mixed at his home studio in Glasgow.

Gerry Cinnamon
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RAC

2020 release. Grammy-winning artist RAC (Andre Allen Anjos) returns with his highly anticipated album Boy, his first release following his EP, Closer. The first single taken from the album is a cover of the iconic early 2000s hit 'Never Let You Go' from Third Eye Blind. It features husband and wife Matthew Koma and Hilary Duff and is the first track to be released by actress since 2016.

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Jason Isbell And The 400 Unit
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"Reunions" JASON & THE 400 UNIT - His last album - 2017's "The Nashville Sound" - A #1 album on the Billboard Folk, Independent, Country and Rock albums charts, also received Best Americana Album at the Grammys, Album Of The Year At The Americana Honors & Awards and was nominated at the CMA Awards for Album Of The Year. Since then, he has collaborated on the soundtrack for A Star Is Born, the debut album by the Highwomen, and Sheryl Crow's latest album Threads. He also released a live album, Live From the Ryman.

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American Aquarium
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Lamentations is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for he

lp go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most.  - BJ Barham

American Aquarium
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Josh Ritter & The Milk Carton Kids

Singer-songwriter Josh Ritter and indie-folk duo The Milk Carton Kids teamed up to create a reimagined version of Josh Ritter's song "Losing Battles". The original version of the song appeared on Ritter's latest album "Fever Breaks". This will be available via a 7" and indie stores will be the only place to get it. The 7" also features a new song by both acts called "The Gospel of Mary".

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Boston Manor

UK rock band Boston Manor will be releasing their new studio album "GLUE" via Pure Noise. Boston Manor’s third full-length is the sound of a band questioning the state of the world around them. Inevitably, in a critical examination of the modern world, it comes from a dark place, but one that fuelled the five-piece to create a body of work that elevates their craft further than ever before. Its 13 highly charged songs came out of a process that singer Henry Cox describes as “very chaotic”, but the result is a truly ferocious album - one that both draws and moves on from what they’ve done in the past, incorporating the gloomy atmospherics of 2018’s Welcome To The Neighbourhood with the highly charged yet melodic punk of 2016’s debut Be Nothing..

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Car Seat Headrest

Making A Door Less Open, the new album from Car Seat Headrest and the first set of brand-new songs since 2016's Teens Of Denial, is set for release on May 1. The album will be available on vinyl and CD featuring distinct tracklists and mixes for each format. Created over the course of four years, Making a Door Less Open is the result of a fruitful 'collaboration' between Car Seat Headrest, led by Will Toledo, and 1 Trait Danger, a CSH electronic side project consisting of drummer Andrew Katz and Toledo's alternative persona, 'Trait.' To realize this, the band recorded the album twice: once live with guitars, drums and bass, and once in a MIDI environment using purely synthesized sounds. During the mixing process, the two approaches were gradually combined using elements of each, with additional overdubs.

Car Seat Headrest
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