With over 225,000 physical albums sold, millions of streams, and hundreds of sell-out live performances nationwide, Cody Jinks’ highly anticipated new album, Lifers, marks his debut for Rounder Records and the next chapter in a book of grass-roots country music superstardom. In the two years since he released his last album, (which made its impressive debut on the Billboard Country Albums chart at #4), Jinks and his band have relentlessly toured and cultivated an immense and loyal following among enthusiastic music fans who crave the kind of authentic country music on which he was nurtured. The title track and theme of the album celebrates the resilience of the human spirit and pays tribute to the often overlooked “lifers, the struggling strivers, working long after the day is done…the last of the great generation.”
In the months since the passing of Linkin Park vocalist Chester Bennington, Shinoda has immersed himself in art as a way of processing his grief. With no agenda, Shinoda hunkered down alone in his Los Angeles home and began writing, recording, and painting. In January, he released the Post Traumatic EP consisting of three deeply personal songs - each one a powerful, stream-of-consciousness expression of unvarnished grief - accompanied by homemade visuals that Shinoda filmed, painted and edited himself. The response was overwhelmingly positive,with New York Times stating "The tracks are reverberant electronic dirges; the rhymes, heading into sung choruses, testify to bewilderment, mourning, resentment, self-pity and questions about what to do."
Following the EP release, Shinoda continued to create, and the result is the upcoming Post Traumatic, a transparent and intensely personal album that, despite its title, isn't entirely about grief, though it does start there. "It's a journey out of grief and darkness, not into grief and darkness," Shinoda says. Ultimately, Post Traumatic is an album about healing. The songs, though specific about Shinoda's experience with loss, manage to be universally relatable, thanks to their honesty and heart. "If people have been through something similar, I hope they feel less alone," he says. "If they haven't been through this, I hope they feel grateful."
Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li released new single "deep end" and additional track "hard rain." The songs mark the long-awaited coming of so sad so sexy, Lykke Li's fourth full-length album and follow-up to 2014's critically acclaimed I Never Learn, due June 8th via RCA Records, her first release with the label.
Limited orange vinyl LP pressing. It's been a pretty crazy 12 months for Rex Orange County - AKA 19-year-old Alex O'Connor - from Haslemere, Surrey. After two guest slots on Tyler the Creator's album Flower Boy, he's played live with Frank Ocean and Skepta, all the while working on his debut album, Apricot Princess. The self-released record is full of sumptuous hooks, jazzy piano figures and musical left-turns that suggest a true original at work. He placed second after winner Sigrid in the BBC Sound of 2018 Poll, and recently performed on Jimmy Fallon's Tonight Show.
Recorded over six months at Hansa Studio in Berlin and Windmill Lane in Dublin, Achtung Baby is U2’s seventh studio album. Produced by long time U2 collaborators, Daniel Lanois and Brian Eno with Steve Lillywhite, Achtung Baby was engineered by Flood and led by The Fly, and also featured four other singles,Mysterious Ways, One, Even Better Than The Real Thing and Who’s Gonna Ride Your Wild Horses.Released to widespread critical acclaim in November 1991, the record topped charts around the world, and saw the band take home the Grammy Award for Best Rock Performance.
- Remastered and pressed on 180gsm black vinyl across 2 LP discs.
- Artwork based on the original, expanded to accommodate 2 LP discs and includes a lyric sheet.
- Vinyl reissue includes a download card for digital access to all 12 album tracks.
U2’s eighth studio album was released in July 1993 and hit Number 1 in the UK, USA, Ireland, Japan, Canada, Australia, New Zealand, Italy, Sweden, Austria, France, Switzerland, Germany, Holland, Norway, Denmark and Iceland.
Produced by Flood, Brian Eno and The Edge, the 10 tracks on Zooropa - inspired by the band’s experiences on the Zoo TV Tour – include singles ‘Numb’, ‘Lemon’ and ‘Stay (Faraway, So Close!)’ and were recorded in just 6 weeks in early 1993. And the 1994 Grammy Awards saw the band take home the prize for Best Alternative Music Album.
And to celebrate the 25th anniversary of the album’s release, this vinyl reissue will see Zooropa released in a 2LP format for the first time ever, to include two mixes of ‘Lemon’ and ‘Numb’
- Remastered and pressed on 180gsm black vinyl.
- Artwork based on the original, expanded to accommodate 2 LPs.
- Vinyl reissue includes a download card for digital access to all 12 tracks.
Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971. This album featured the only track to be written by all five members of the band. The opening Procession"" was a piece that was intended to describe the history of music from the beginning of time up until the album's recording. The only three words heard in this track – ""desolation,"" ""creation,"" and ""communication"" – were similarly used (along with many other ""-ation"" words) in ""One More Time to Live.""
The album reached #1 on the British album charts, in addition to a three-week stay at #2 in the United States, and produced one top-40 single, ""The Story in Your Eyes."" The track ""Emily's Song"" was written by John Lodge for his newborn daughter. Mike Pinder wrote and sang the album's concluding track ""My Song"".
Limited colored vinyl LP pressing including bonus track. Released in 1985, Green River's Come On Down was a record existing in it's sonic universe - out of step with it's own time. Was it glam? Was it punk? Was it metal? Was it cool? We now know it was one of the building blocks of what Mark Arm would coin as grunge but in 1985 this record was a silent groundbreaker. It was not only the raw, sludgy, slower guitar sound that makes this band important in it's place in rock history, but the members of Green River would go on to lead some of the biggest names in the genre: Mudhoney and Mother Love Bone, the latter of which also contained the roots of Pearl Jam. The record includes the iconic original cover artwork, is pressed on colored vinyl, has a printed inner sleeve with lyrics and photo of the original master tape box, plus an unreleased rare bonus track!
Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"
The band's ninth-studio album, Among the Ghosts, is their first for noted Nashville indie label Thirty Tigers. It was recorded and co-produced with Grammy-winning engineer/producer and Memphis native Matt ross-Spang (Jason Isbell, Margo Price, Drive by Truckers) at the historic Sam Phillips Recording Service/Sun Studio. Recorded primarily as a five-piece, Among the Ghosts eschews the Stax-inspired horns and Jerry Lee Lewis-style boogie piano featured in some of the band's past recordings for a streamlined rock & roll sound that pays homage to their seminal influences as it seeks to push that legacy into the future. For a band who carried the torch of the alt-country movement back in the 90's and helped pave the way for what is now called Americana, Lucero have re-discovered what inspired them in the first place. The sound is more their own and at the same time not exactly like anything they've done before. This is a band settling into their craft. The 10-song disc's title is both a tribute to the spirits which road the streets of their fabled city, as well as the hard road the determinedly independent band set out on 20 years ago.
Prolific and always evolving, never wanting to be left standing still Siouxsie & The Banshees’ Tinderbox is the seventh studio album in no more than eight years almost ten years since they took to the stage at the 100 club for 20 minutes of improvised chaos. The single ‘Cities In Dust’ widely regarded as one of Sioux’s greatest vocal performances and quickly followed by ‘Cannons’ the albums finest track chimes perfectly with the times as the 80s started to spiral out of control. Remastered from the original ¼” tapes and cut at half speed at Abbey Road studios, London. Both artwork and audio have personally been overseen and orchestrated by Siouxsie Sioux and Steven Severin.
You could argue that after seven studio albums a covers album might seem a somewhat step back creatively, not so with Through The Looking Glass – The songs carefully chosen to reflect the individuals own childhood and teenage years, these had to ring true for Sioux to sing them and to believe in them. Remastered from the original ¼” tapes and cut at half speed at Abbey Road studios, London. Both artwork and audio have personally been overseen and orchestrated by Siouxsie Sioux and Steven Severin. The Banshees cover songs such as Sparks’ ‘This Town Ain’t Big Enough For Both Of Us’, Roxy Music’s ‘Sea Breezes’ and The Doors ‘You’re Lost Little Girl’ their infinite capacity to surprise making each one their own.
Double vinyl LP pressing. 2018 release. Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Head-alum and noted key-stabber Tom Dolas, while the Paul Quattrone/Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts. Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there's a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer's made his calling card. Perhaps the most notable thing about Smote Reverser is the artistic restlessness underpinning it's flights of fancy. Dwyer refuses to repeat himself and for someone with such a hectic release schedule, that stretching of aesthetic borders and omnivorous appetite seems all the more superhuman!
Lindsey Jordan is on the brink of something huge, and she’s only just graduated high school. Her voice rises and falls with electricity throughout Lush, her debut album as Snail Mail, spinning with bold excitement and new beginnings at every turn. In the time that’s elapsed since Habit, her 2016 EP, Jordan has graduated high school, toured the country, opened for the likes of Girlpool and Waxahatchee as well as selling out her own headline shows, and participated in a round-table discussion for The New York Times about women in punk -- giving her time to reflect and refine her songwriting process by using tempered pacings and alternate tunings to create a jawdropping debut both thoughtful and cathartic. Recorded with producer Jake Aron and engineer Johnny Schenke, with contributions from touring bandmates drummer Ray Brown and bassist Alex Bass as well, Lush sounds cinematic, yet still perfectly homemade. “Is there any better feeling than coming clean?” sings the eighteen-year-old guitarist and songwriter halfway through the sprawling anthem that is “Pristine,” the album’s first single. You can’t help but agree with her. It’s a hook that immediately sticks in your head—and a question she seems to be grappling with throughout the record’s 10-songs of crystalline guitar pop. Throughout Lush, Jordan’s clear and powerful voice, acute sense of pacing, and razor-sharp writing cut through the chaos and messiness of growing up: the passing trends, the awkward house parties, the sick-to-your-stomach crushes and the heart wrenching breakups. Jordan’s most masterful skill is in crafting tension, working with muted melodrama that builds and never quite breaks, stretching out over moody rockers and soft-burning hooks, making for visceral slow-releases that stick under the skin. “The artist I’m most excited for in 2018” -Jon Caramanica, NYTimes “Songs that combat the acute smallness of suburban youth, filling in empty space with punk-inflected guitar and imagining vantages from which everything feels bigger and more beautiful”. Pitchfork “Rarely can we witness the creative progression unfold from prodigious potential to fully realized vision so quickly” - NPR
'It's all rock & roll -- no golf!' is how acclaimed singer/songwriter/violinist Amanda Shires describes her electrifying firth album, To The Sunset. She's borrowed a lyric from the effervescent track 'Break Out the Champagne,' one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to revel an Amanda Shires many didn't know existed. 'Isn't it refreshing?' Shires asks. Indeed. Distorted electric guitars, effects pedals, swirling keys and synths, and rockin' rhythms certainly suit Shire's visceral songcraft and lilting soprano.
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“My local indie record store opened my musical mind to influences I never would have found on my own. They paved the way for bands like Devotchka and the bands we love to find an audience” -Nick Urata, DeVotchKa
Enjoy the single then August 24th get the full release (and preorder) "This Night Falls Forever"